aunt lupe house on mango street
(106). The House on Mango Street by Sandra Cisneros The House on Mango Street - Laughter 1. In fact, Alicia returns almost at the end of the book, in one of its final vignettes. In her Joan Crawford dress and swimmer’s legs. "The Earl of Tennessee" refers to a man named Earl who lives in the basement apartment of Edna's building. Her disease kept her in bed, surrounded by medicine bottles with strange smells; it caused her to go blind. The chapter "Born Bad" is about Esperanza's Aunt Lupe. Lupe tells her writing will keep her free. The police questioned her, but Marin knew nothing about him after only spending a few hours with him. The yellow pillow, the yellow smell, the bottles and spoons. Then he tells her it's his birthday and asks for a kiss, so when she leans in, he grabs her and kisses her hard on the mouth. Since she is the oldest child, she will tell the news to her siblings. She had two children and then became sick. Then she saw him with his girlfriend and envied the way he tied her shoes or walked around the block with her. Or Elenita, “witch woman,” who earns a few extra dollars by telling fortunes in her kitchen where “the top of the refrigerator [is] busy with holy candles” (62, 63). (Boys & Girls) 6. This may sound like a prediction (or projection) of failure: that every attempt Esperanza makes to escape will be doomed. 2. In Alicia’s case, this is when we are told that she is afraid of nothing except the mice she sees (or imagines she sees) late at night as she burns the candle at both ends. Yet almost always we are left with a startling detail, revealing perhaps more than the child narrator knows or intends to tell, a detail that indicates that there is much more still to be said. The chapter "Born Bad" is about Esperanza's Aunt Lupe. I don’t belong. But by the end of the story, Esperanza has realized that the stories she is telling are a means to take her distance from Mango Street: “I write it down and Mango says goodbye sometimes” (110). Esperanza used to stare at her beauty in old photographs. They had a special connection. Her disease kept her in bed, surrounded by medicine bottles with strange smells; it caused her to go blind. “And fathers” (32). Then she dies. Sometimes she would read her own poems, and Aunt Lupe would encourage her to keep writing. Esperanza uses "Four Skinny Trees" as a metaphor for how she sometimes feels. "The First Job" describes how Esperanza's aunt helps her get a job at Peter Pan Photo Finishers where she works. She and Esperanza are talking, and “she is listening to my sadness because I don’t have a house” (106). "No Speak English" describes a man across the street who worked hard to save enough money to bring his mother from another country to live with him. Interrupted by her kids, who she has shunted out to a living room where the sofa is covered in plastic, she “gets up to hit and then hug them. "Geraldo No Last Name" describes how Marin met a boy named Geraldo at a dance one Saturday night, and they spent some time together, and then he ended up dead. Aunt Lupe falls down on the street. These raggedy trees grow outside her window, and they fight to survive surrounded by concrete and buildings, and it gives her hope that she can keep fighting too. Name the members of the narrator's family. They pick with a dizzy finger anyone, just anyone. Esperanza heard her from the third floor, which she never left, talking about how she wanted to go home. What does the narrator want to have someday? Why does Geraldo have no last name? The House on Mango Street Character Analysis | LitCharts. Structured as a series of vignettes, it tells the story of Esperanza Cordero, a 12-year-old Chicana girl growing up in the Hispanic quarter of Chicago. She had two children and then became sick. Lupe is the first person to connect Esperanza’s love of writing with her desire to escape Mango Street. She really does love them, only sometimes they are rude” (64). Aunt Lupe of the photographs. Sometimes she would read her own poems, and Aunt Lupe would encourage her to keep writing. At the time the young girl “didn’t know what she meant”–and in fact she and her friends treat her aunt shamefully, imitating her, mocking her blindness and incapacity, “with our heads thrown back, our arms limp and useless, dangling like the dead” (61). everything you need to sharpen your knowledge of The House on Mango Street. Esperanza would reluctantly go and read books to her. Pingback: Latino/Chicano Literature | Posthegemony. Because she was imitating aunt lupe before she died. Dozens of characters flit through the pages of Sandra Cisneros’s The House on Mango Street.

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