billy eckstine collar
This article uses material from the article Billy Eckstine from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License. Billy Eckstine's smooth baritone and distinctive vibrato made him the leader of the original bop big band & as first romantic black male in popular music. 8/7/1914 in Pittsburgh, PA, United States, died on He was also quite popular in Britain, hitting the Top Ten there twice during the '50s -- "No One But You" and "Gigi" -- as well as several duet entries with Sarah Vaughan. ‎Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big band, then as the first romantic black male in popular music. Though his speech improved in the hospital, Eckstine had a heart attack, and died a few months later on March 8, 1993, aged 78. B." Tony Bennett would recall that "It changed everything...Before that, he had a tremendous following...and it just offended the white community", a sentiment shared by pianist Billy Taylor who said that the "coverage and that picture just slammed the door shut for him". He recorded more than a dozen hits during the late '40s, including "My Foolish Heart" and "I Apologize." The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Joe Williams, Arthur Prysock and Lou Rawls."[3]. The collars were worn by many a hipster in the late 1940s and early 1950s. The collars were worn by many a hipster in the late 1940s and early 1950s. Earl Hines and His Orchestra & Billy Eckstine, Love Songs by Rodgers and Hammerstein (with Nelson Riddle and His Orchestra), Broadway (feat. Eckstine was a style leader and noted sharp dresser. In 1984 Eckstine recorded his penultimate album, I Am a Singer, arranged and conducted by Angelo DiPippo and featuring Toots Thielemans on harmonica. (The title character bears no resemblance to Eckstine.). A remarkable artist, the sonorous B." He recorded several albums for Mercury and Roulette during the early '60s (his son Ed was the president of Mercury), and he appeared on Motown for a few standards albums during the mid-'60s. | "[17], Lionel Hampton: "He was one of the greatest singers of all time.... We were proud of him because he was the first Black popular singer singing popular songs in our race. Although best known as a singer, his openness to new music made him a strong influence on modern jazz, particularly bebop, as he gave employment to many of the musicians who founded the style. [15], His friend Duke Ellington recalled Eckstine's artistry in his 1973 autobiography Music is My Mistress: "Eckstine-style love songs opened new lines of communication for the man in the man-woman merry-go-round, and blues a la B were the essence of cool. He designed and patented a high roll collar that formed a B over a Windsor-knotted tie, which became known as a Mr. B. Collar. Eckstine returned to his jazz roots occasionally as well, recording with Vaughan, Count Basie, and Quincy Jones for separate LPs, and the 1960 live LP No Cover, No Minimum featured him taking a few trumpet solos as well. By that time, Eckstine had begun to make a name for himself through the Hines band's juke-box hits as "Stormy Monday Blues" and his own "Jelly Jelly. Hal Mooney and His Orchestra), I Apologize (Live On The Ed Sullivan Show, April 8, 1951), I Apologize (Live On The Ed Sullivan Show, April 8, 1951) - Single, Live At Angelo's White Palms Theater Lounge (Remastered). In November 1986, Eckstine recorded with saxophonist Benny Carter for his 1987 album Billy Eckstine Sings with Benny Carter. Our attack was strong, and we were playing bebop, the modern style. ... "His style and technique have seen extensively copied by some of the neocommercial singers, but despite their efforts he remains out front to show how and what should have been done.". Data-Privacy Artist descriptions on Last.fm are editable by everyone. He had to fight the system, so things never quite fell into place. Eckstine was an American jazz singer and bandleader who also played trumpet, valve trombone, and guitar. The collars were worn by many a hipster in the late 1940s and early 1950s. Eckstine was born in Pittsburgh, Pennsylvania; a State Historical Marker is placed at 5913 Bryant St, Highland Park, Pittsburgh, Pennsylvania, to mark the house where he grew up. In 1984, Eckstine recorded his final album, I Am A Singer, featuring beautiful ballads arranged and conducted by Angelo DiPippo. Eckstine was a pallbearer at Davis' funeral in 1990. Born in Pittsburgh but raised in Washington, D.C., Eckstine began singing at the age of seven and entered many amateur talent shows. Eckstine made numerous appearances on television variety shows, including on The Ed Sullivan Show, The Nat King Cole Show, The Tonight Show with Steve Allen, Jack Paar, and Johnny Carson, The Merv Griffin Show, The Art Linkletter Show, The Joey Bishop Show, The Dean Martin Show, The Flip Wilson Show, and Playboy After Dark. He designed and patented a high roll collar that formed a B over a Windsor-knotted tie, which became known as a Mr. B. Collar. [5] He attended Armstrong High School, St. Paul Normal and Industrial School, and Howard University. Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music. Sammy Davis, Jr. made several live appearances and impersonated Eckstine. His parents were William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress of note. Despite the group's modernist slant, Eckstine hit the charts often during the mid-'40s, with Top Ten entries including "A Cottage for Sale" and "Prisoner of Love". A new version of Last.fm is available, to keep everything running smoothly, please reload the site. He died of a heart attack in 1993. On the group's frequent European and American tours, Eckstine also played trumpet, valve trombone, and guitar.Though he was forced to give up the band in 1947 (Gillespie formed his own bop big band that same year), Eckstine made the transition to string-filled balladry with ease. "[16] Jones is quoted in The Pleasures of Jazz as also saying of Eckstine: "If he'd been white, the sky would have been the limit. No other band like this one existed in the world.". Eckstine suffered a stroke while performing in Salina, Kansas, in April 1992, and never performed again. https://josephcrusejohnson.blogspot.com/2009/02/billy-eckstein.html William Clarence “Billy” Eckstine (July 8, 1914 – March 8, 1993) was an American singer of ballads and bandleader of the swing era. He attended Peabody High School before moving to Washington, DC. After their divorce in 1952, he remarried shortly after to actress and model Carolle Drake in 1953, and they remained married until his death. Contact, © 2020 Schweizerische Radio- und Fernsehgesellschaft, This page was last modified 09.09.2018 02:00:49, 8/7/1914 in Pittsburgh, PA, United States, 8/3/1993 in Pittsburgh, PA, United States, "Billy Eckstine - Pennsylvania Historical Markers on", "Billy Eckstine - Pittsburgh Music History", "Martha Holmes, 83, Pioneer in Photography, Dies". [13], Among Eckstine's recordings of the 1950s was a 1957 duet with Sarah Vaughan, "Passing Strangers", a minor hit in 1957, but an initial No. "[18], The title of a 1956 promotional movie by the C. G. Conn Company, Mr. B Natural, is derivative of Eckstine's nickname "Mr. And, of course, he hasn't looked back since. Tadd Dameron, Gil Fuller and Jerry Valentine were among the band's arrangers. Despite the group's modernist slant, Eckstine hit the charts often during the mid-'40s, with Top Ten entries including "A Cottage for Sale" and "Prisoner of Love." ~ John Bush. He signed with the newly established MGM Records, and had immediate hits with revivals of "Everything I Have Is Yours" (1947), Richard Rodgers and Lorenz Hart's "Blue Moon" (1948), and Juan Tizol's "Caravan" (1949). He also performed briefly as Billy X. Stine. [12] The controversy that resulted from the photograph had a seminal effect on the trajectory of Eckstine's career. William F. was born in Prussia and Nannie in Virginia. The Billy Eckstine Orchestra was the first bop big-band, and its leader reflected bop innovations by stretching his vocal harmonics into his normal ballads. [6], Heading to Chicago, Eckstine joined Earl Hines' Grand Terrace Orchestra in 1939, staying with the band as vocalist and trumpeter, until 1943. 22 success in the UK Singles Chart.[1]. After forming his own big band that year, he hired all three and gradually recruited still more modernist figures and future stars: Wardell Gray, Dexter Gordon, Miles Davis, Kenny Dorham, Fats Navarro, and Art Blakey, as well as arrangers Tadd Dameron and Gil Fuller. I wanted to dress like him, talk like him, pattern my whole life as a musician and as a complete person in the image of dignity that he projected.... As a black man, Eckstine was not immune to the prejudice that characterized the 1950s. He changed the spelling to Eckstine after a club owner said the original spelling was "too Jewish". Eckstine had further success in 1950 with Victor Young's theme song to "My Foolish Heart," and the next year with a revival of the 1931 Bing Crosby hit, "I Apologize".

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