pentecostal surf film soundtrack
Sound Off! Chicana Radio Activists and the Sounds of Chicana Feminisms, Mingus Ah Um (1959) and An Ethics of Care in Jazz, “Playing the Medieval Lyric”: Remixing, Sampling and Remediating “Head Like a Hole” and “Call Me Maybe”, Sonic Spirituality: Meditations on Eminem’s “Beautiful” and “My Darling”, The Victoria’s Secret Fashion Show and the Soundtrack of Desire, Sound Off! Podcast #46: Ruptures in the Soundscape of Disneyland, Listening to and through “Need”: Sound Studies and Civic Engagement, Look Who’s Talking, Y’all: Dr. Phil, Vocal Accent and the Politics of Sounding White, TiK ToK: Post-Crash Party Pop, Compulsory Presentism and the 2008 Financial Collapse, Musical Encounters and Acts of Audiencing: Listening Cultures in the American Antebellum, The Musical Flow of Shane Carruth’s Upstream Color, Sounding Out! . Reads: Steph Ceraso’s Sounding Composition: Multimodal Pedagogies for Embodied Listening, Introduction to Sound, Ability, and Emergence Forum, SO! Below you can visualise, in real-time, the listening habits & trends of Last.fm's global community. Stir It Up: From Polyphony to Multivocality in A Brief History of Seven Killings, Singing The Resistance: January 2017’s Anti-Trump Music Videos, Hearing the Tenor of the Vendler/Dove Conversation: Race, Listening, and the “Noise” of Texts, From Kitschy to Classy: Reviving the TR-808, SO! A ledge of noise stuck inside an awesome abyss of sound. As a vessel, we can think of sound, song and subject as conduits for the exchange of ecstasy and ecstatics. This site uses Akismet to reduce spam. ( Log Out /  Amplifies: Think About Sound App and Map, Quiet on the Set? In 1965 in San Francisco, partly inspired by the phase experiments of Terry Riley's In C, Steve Reich was playing around with two identical tape loops he had recorded of a black Pentecostal preacher. : Music, Sonic Borders, and the Politics of Vibration, Vocal Anguish, Disinformation, and the Politics of Eurovision 2016. Coconut Clops and Motorcycle Fanfare: What Sounds Medieval? The concept of authenticity is a peculiar problem for music performance because implied within it are questions of who has the right to perform certain sounds and songs, or more pointedly, can any one group or even individual “own” a set of sounds and songs? “PENTACOASTAL” was inspired by the tonalities of Australian cult cinema. Amplifies: Mega Ran and Sammus, The Rappers With Arm Cannons Tour, SO! At the end of Price’s incompletion, the organist’s chording changes tonal centers, from major mode to reflective minor with augmented and suspended chords or what Bradley might call, “takin’ em to chu[r]ch.”, "Dancing in the Spirit" by Richard Masoner. Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery, Sounding Out! © Vans, A VF Company Connect with Vans: http://bit.ly/1uPubcu Reads: Hiromu Nagahara’s Tokyo Boogie-Woogie: Japan’s Pop Era and Its Discontents, Sonic Contact Zones: An Interview with DJs MALT and Eat Paint in Koreatown, Los Angeles, Sounding Out! Lazarus.FM: Can the Endangered Sounds of Detroit Be Saved? Here was r eligion in Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World. // Comment Klatsch #14: Gendered Sounds? PENTACOASTAL: A Surf Film Directed by Wade Goodall & Shane Fletcher | Surf | VANS That was a ball! Amplifies: Anne Le Troter’s “Bulleted List”, SO! One is filled with the capacity to be filled, with the fullness of the spirit that is made evident by giving it away through song. Amplifies: Ian Rawes and the London Sound Survey, Lokananta: Sounds of Crisis and Recovery from Indonesia’s National Record Company, Music Meant to Make You Move: Considering the Aural Kinesthetic, Sounding Out Tarima Temporalities: Decolonial Feminista Dance Disruption, This is Your Body on the Velvet Underground, Devil’s Symphony: Orson Welles’s “Hell on Ice” as Eco-Sonic Critique, Sounding Out! Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. merged these filmic elements within the body of a surf film through emotive animations, an undulating soundscape, and a (feat. : Early Radio, Education, and Archives of “No-Sound”, Afrofuturism, Public Enemy, and Fear of a Black Planet at 25, Into the Woods: A Brief History of Wood Paneling on Synthesizers*, Further Experiments in Agent-based Musical Composition, Experiments in Agent-based Sonic Composition, SO! “All their ioynts & properties”: Orthography and Sound in Early English Poetry. Podcast #80: Refugee Realities Miniseries, Snap, Crackle, Pop: The Sonic Pleasures Of Food, Sounds of Science: The Mystique of Sonification, Unsettling the World Soundscape Project: The Bell Tower of False Creek, Vancouver, Unsettled Listening: Integrating Film and Place, My Music and My Message is Powerful: It Shouldn’t be Florence Price or “Nothing”, Deep Listening as Philogynoir: Playlists, Black Girl Idiom, and Love, “I Love to Praise His Name”: Shouting as Feminine Disruption, Public Ecstasy, and Audio-Visual Pleasure, Contemporary Television’s Construction of Sonic New Jersey, “Recorder of Dublin”: Ulysses’ FX in 1982, SO!

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