steve buscemi eye disease
— The whole part with Steve talking about the last time he had sex is priceless. Check out. STARS: ***½, THE MAD TEA PARTY Reggie White (TRM) extends his offensive remarks to cover more groups, — Colin’s opening straight-to-camera rant about Paula Jones was fairly forgettable. Nicely done. From then on the night improves, thanks to Steve Buscemi injecting so much life into both exhausted recurring bits (Judge Judy, Goth Talk), and the new, clever material which he truly shone in. — Fun hearing actual celebrities doing voices in this, including Gilbert Gottfried making his triumphant SNL return! Ooookay. — Funny bit with Steve demonstrating his “White Tornado” dance. Never knew she had such a good singing voice. — Another refreshing change of scenery for this recurring sketch. I did like Lewis Lapham’s contribution and I wish we’d just heard from him instead. — Steve, after mentioning he’s not familiar with the college UCLA: “I heard of Pepperdine. And before I saw the “Madonna” label, I instantly recognized that as a picture of Dave Foley from “Kids in the Hall”. It’s not much of a treat for her or for viewers – it just seems sort of sad. COMPLEX participates in various affiliate marketing programs, which means COMPLEX gets paid commissions on purchases made through our links to retailer sites. His second hosting stint was fine too! It’s almost like James Cameron’s movie…Except for the talking mice and Rapping dog………..Yes, you read that correctly……….Rapping………….Dog……Good Luck! A project where I review one SNL episode a day, in chronological order, Segments are rated on a scale of 1-5 stars, MULTIPLE BROADCASTS It’s fun seeing unrelated SNL recurring characters/impressions collide. The oddball sketches are just wonderful, especially the craftsman show with Jim Breuer (who plays against type here and does well). I’m very curious to hear about it. the Kenworth RX-40TD is profiled, — Some good laughs from the uselessness and awkwardness of Steve’s character, just silently and uncomfortably gesturing during Will’s profile of the truck. — There goes our obligatory yell of “YOU STUPID BITCH!” It gets less and less funny in each passing installment of this sketch. — I recall once hearing that Norm Macdonald, who hadn’t “officially” departed as a cast member yet, was originally supposed to play the Hare character that tonight’s credited special guest John Hurt is playing, but something happened during rehearsals of this sketch that caused Norm to walk out for good, causing the preceding Julianne Moore-hosted episode to end up as his final episode as a cast member. STARS: *****, MORNING LATTE — As always, Tracy’s various sassy one-liners as the bailiff are cracking me up. — Smigel is always great at mimicking the styles of certain animation genres when spoofing them, and tonight’s cartoon is a dead-on and very funny parody of typical animated Disney movies from this era. What's next? — Funny progression to the Clinton sketch with it turning into a wild, silly sex party. Long live Wiley Lunt! — Colin’s Daylight Savings Time joke was so bad, it was good. viewers choice is Lewis Lapham [real] or farcical Bill Clinton (DAH) skit. 2021 Pooping Dogs Calendar Is Here! Not only is it random as hell and not only is she not even given any dialogue, but the audience is dead silent, giving her no recognition applause whatsoever. The Elijah Wood one is actually Elijah’s features on Steve Buscemi’s face. The monologue didn’t really work for me either – I think someone else (was it Megan Mullaly?) Some of these are disturbing, some not so much. Then again, creepy is totally Buscemi’s game. — Steve: “(angrily) I TELL YOU I HAVEN’T HAD SEX IN 9 YEARS AND YOU TELL ME YOU’RE ALLERGIC TO CATS?!?”. — Some really good traditional news jokes from Colin tonight, even if I still don’t like his habit of muttering an unnecessary ad-lib after every damn joke. I’m guessing Tina was responsible for that Etch-A-Sketch joke, and Colin was giving her on-air credit after seeing how well the audience reacted to it. (ANG), (CHO), (MOS) remember their queer beaus, — Random premise, but I like how this is pre-taped and how they’re using special screen filter effects for each interview, giving this a realistic documentary look. Does anyone know more details about what caused Norm to walk out during rehearsals of this sketch? Shake things up, SNL writers. — Tracy-as-Reggie-White’s commentary about minorities that he hates is cracking me up, in a silly way. Some of them look better when you’ve seen a normal pic of them first. Mr. — The Mad Hatter putting his fist in his mouth and having a fit is slaying me. — Reggie White: “You ever see a midget in a suit? That twist isn’t even a surprise anymore. Not only is it random as hell and not only is she not even given any dialogue, but the audience is dead silent, giving her no recognition applause whatsoever. STARS: ***, JIM HALSEY’S TRUCK DRIVIN’ MUSEUM — Tracy-as-Reggie-White’s commentary about minorities that he hates is cracking me up, in a silly way. — I love the look of Steve’s dance instructor, with the mullet and 80s leather jacket. — I love the turn with Tim taking off his Oprah wig and revealing he’s actually O.J. — Steve, after mentioning he’s not familiar with the college UCLA: “I heard of Pepperdine. — A big laugh from Will’s song being interrupted by the door next to him swinging open and smacking him in the face. — I love Steve telling Chris he can continue the interview even after letting him know he didn’t get the job. — In addition to Ana always playing the plaintiff, these Judgy Judy sketches also always end with Judge Judy “surprisingly” siding with the defendant. — Hilarious sudden turn with Steve randomly giving Chris the job after all, when Chris has an angry outburst regarding wanting to leave. — I like Molly’s interview descending into insane nonsense, with her calling her prom date various different celebrity names. — A big laugh from Will’s song being interrupted by the door next to him swinging open and smacking him in the face. — Some really good traditional news jokes from Colin tonight, even if I still don’t like his habit of muttering an unnecessary ad-lib after every damn joke. I didn’t even realize until the end that the celebrity voices in TV Funhouse were the real celebrities – Whoopi Goldberg didn’t sound like her for some reason. Does anyone know more details about what caused Norm to walk out during rehearsals of this sketch? MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS, HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Julianne Moore) Ooookay. ?” Even though Steve Buscemi may not find the “Steve Buscemi Eyes” meme all that funny, the rest of the internet disagrees with him. — Funny progression to the Clinton sketch with it turning into a wild, silly sex party. STARS: ****, TV FUNHOUSE (JMB) & (host) show their crappy & creepy constructions, — Jim’s doing an accurate imitation of how hosts of do-it-yourself shows typically speak. He’s worked in so many other Lorne produced projects, it’s kinda surprising he hasn’t been on there more. — Some good laughs from the uselessness and awkwardness of Steve’s character, just silently and uncomfortably gesturing during Will’s profile of the truck. — Some pretty good laughs from Steve’s “improv” just being quotes from his movies. volatile (host) interviews jobseekers (CHK) & (Natasha Henstridge). — A good laugh from the bit with Tim smugly calling himself “the star of Saturday Night Live”, though it got no reaction from the audience. Check out our latest posts! — Hilarious sudden turn with Steve randomly giving Chris the job after all, when Chris has an angry outburst regarding wanting to leave. — Natasha Henstridge cameo? — That’s Molly Ringwald singing as Anne Frank? — As always, Tracy’s various sassy one-liners as the bailiff are cracking me up. — As usual, several funny dense lines from the hosts played by Will and Cheri. — Colin’s opening straight-to-camera rant about Paula Jones was fairly forgettable. — A great episode, and has always been one of my favorites of this season. Comment document.getElementById("comment").setAttribute( "id", "a2be5ebb375b53c9a28780962a99f9ec" );document.getElementById("f84e0366c8").setAttribute( "id", "comment" ); Notify me of follow-up comments by email. It’s so stupid but it always makes me laugh. — There goes our obligatory yell of “YOU STUPID BITCH!” It gets less and less funny in each passing installment of this sketch. Even though Steve Buscemi may not find the “Steve Buscemi Eyes” meme all that funny, the rest of the internet disagrees with him. That is. Buscemi's mother is of Irish, English, and Dutch ancestry. Required fields are marked *. I love Steve Buscemi, Madonna with Busecemi’s eyes looks like Bill Hader impersonating Madonna, Mila Kunis looks just like that without makeup, it was very funny if i had feelings i had to force chuckle the whole way through….yay. Our editorial content is not influenced by any commissions we receive. — Overall, a simple, short sketch, but Steve absolutely made this whole thing. STARS: *****, STUFF WE MADE If you hadn’t told me that was Macaulay Culkin with Steve Buscemi’s eyes, I wouldn’t have known it wasn’t just a picture of Macaulay Culkin. — I love the look of Steve’s dance instructor, with the mullet and 80s leather jacket. — Reggie White: “You ever see a midget in a suit? bad, it was good. If you hadn’t told me that was Macaulay Culkin with Steve Buscemi’s eyes, I wouldn’t have known it wasn’t just a picture of Macaulay Culkin. Doug Sibor contributes to Complex Sports and Pop Culture, resides in Boston MA, and can often be found shuttling between Fenway Park, Gillette Stadium and TD Garden. truly mad Hatter (host) ruins tea party of Alice (MOS) & Hare (John Hurt), — Among SNL fans, this is probably the most well-remembered sketch from tonight’s well-liked episode. I also like Steve telling another audience member “We’re trying to do improv, not stupid-ass-suggestion-prov.”. And it got a SEQUEL, with the lost city of Atlantis getting involved, and a fish who talks like the Cryptkeeper, is part jack-in-the-box, and sings a rave song.

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